Fall 2014»CITA 180

CITA 180

Computers, Music and Art

When/Where

LC 19: Computers, Music, and Art - CITA 180 - 02

MWF 11-11:50AM / CATO 234

Description

A course introducing the creative side of computing in the context of music, sounds, images, and other digital artifacts. Emphasis will be given to computing and computational thinking related to music making. Students will develop several digital artifacts and elementary musical compositions.

Course is open to all majors. No previous programming experience required.

Prerequisites by Topic:

  1. Basic computer experience, including file organization and software installation.
  2. Interest in developing intelligent-listening and sound-structuring skills.

Additional Course Requirements:

  1. Bring your laptop to class
  2. Bring headphones to class

Test Dates

  • Test 1: Monday, Oct. 13, 2014
  • Test 2: TBA
  • Final: noon-3pm, Wednesday, Dec. 10, 2014

Assignments

Homework #1, Homework #2, Homework #3, Homework #4, Homework #5, Homework #6.

Readings & References

  1. Avant-garde cellist Zoe Keating demonstrates her intricately layered compositions. Using a computer, some 'janky code', a cello and her imagination, the classically trained musician shapes her music into something wonderful.
  2. The CofC Laptop Orchestra performing Terry Riley's "In C".
  3. The Princeton Laptop Orchestra (PLOrk) is an ensemble of computer-based musical meta-instruments. Each instrument consists of a laptop, a multi-channel hemispherical speaker, and a variety of control devices (keyboards, graphics tablets, sensors, etc.).
  4. An introduction to pair programming. This 9-minute video describes what pair programming is, the do's and don'ts of effective pairing, and the pros and cons of pair programming.
  5. Pat Metheny's Orchestrion project is a new, open-ended platform for musical composition, improvisation and performance. It uses acoustic and acoustoelectric musical instruments that are mechanically controlled through a guitar, pen or keyboard. This creates a detailed compositional environment, which allows spontaneously developed improvisation. On top of layers of acoustic sound, Pat Metheny adds conventional electric guitar playing as an improvised component - a new level for solo performance by a single musician.
  6. Intro to Python

Artifacts & Rules

  • Sounds - find sound effects and musical instrument samples.

Software

  • jythonMusic provides software for music-making and creative computing. It is a collection of Jython libraries for music, images, graphical user interfaces (GUIs), and connecting to external MIDI devices, smartphones, and tablets, among others.
  • Audacity is free, open source software for recording and editing sounds. It is available for Mac OS X, Microsoft Windows, GNU/Linux, and other operating systems.
  • Noteflight is an online music writing application that lets you create, view, print and hear music notation with professional quality, right in your web browser. Work on a score from any computer on the Internet, share it with other users, and embed it in your own pages.